I didn’t just learn how to do backgrounds and
paint scenery at Mimi’s Magic Garden daycare center but I also learned an
entirely new way to paint. As described in my entry “Our Story So Far…” when I
first started using oil paints, I’d pour solid colors into bowls and then,
using brushes for each color, put small portions of the colors on the surface
of the wall and mix them right there on the wall. For the elk, this allowed me
to get the texture of the long fur as I swiped the brush through the colors naturally.
For the deer, this allowed me to get the texture of the short hairs as I dabbed
and stippled my brush against the wall, speckling the colors through and
against each other. For the turkey, it was horrible, trying to get the
different shades in just the right percentage and in just the right spot to get
the iridescent effect of the feathers. For all of the wildlife murals, in fact,
there were moments of struggle where the layers of paint simply would not mix
in the right degree for the colors I wanted.
Painting the ocean mural during the month of
October, I found that this sort of technique was not going to be possible. Not
only was the surface area of the figures too large to treat this way but also
the walls were stucco and the paint dried fast when applied to it. So, all of
my colors had to be mixed before being put on the walls. If I wanted light
blue, I mixed it in a bowl first and then put it on the wall. If I then needed
a medium blue, I’d need to darken the light blue in the bowl first and then
apply it to the wall. This was fairly easy to adapt to and once I started doing
it, I wondered why I hadn’t done that to start with.
Another really important thing I learned at the
daycare was “light to dark” and “dribble mixing.” My first attempt to paint the
fish in the ocean mural was to start from the shadows and progressively add my
main color, blue, and then progressively add white for the highlights. For
those who don’t know, a couple of the paints that I have, I treat with a bit
more caution than the others. Those colors are “safety red” and “black.” All of
the other colors have a bit of give to them, mixing more thoroughly before
becoming a main color. Mixing blue with green, you need to practically pour
blue into it before it becomes more blue than green. Adding a teaspoon of red
to anything and you have condemned that color to be red and nothing but red for
the rest of its life until it dries. I kid you not. Black is similar in that,
if you get a color dark enough, you can never really come back from that.
Adding more of the main color or adding white just makes it a gray version of
that color because the black is still clinging to it for dear life.
So, when I painted the first fish, not only were
the blues really gray and drab moving forward from the shadows but I also could
not get the highlights light enough or bright enough. Trying another fish, I
started with the pure white highlights first and progressively added blue until
it was mostly blue before finally adding black for the shadows. This is where I
also learned the “dribble mixing.”
This is what my work station setup usually looks
like. I lay down newspaper on whatever surface I’m using as a table. I have a
plastic bag for garbage and a roll of paper towels because things can get messy
sometimes. A jar of thinner for cleaning, a bag of brushes, paint cans, and a
bowl for mixing colors. The second pic shows my mixing sticks. To save paint
and also to control how the colors get mixed, I pour a main color(usually
white) into my bowl and then use one of these sticks to dip into the paint cans
and drip droplets of a different color into my bowl. With the fish, this
enabled me to slowly travel through the scale of values at a controlled pace.
Not only do the colors stay light but they also get very bright right in the
middle, much brighter than they come out of the can. It can be slow going but
also the sticks can get a fair amount of paint on them, so, sometimes I can put
just a tiny drop into the bowl or I can put a thick dribble, practically a
spoon of color into the bowl, depending upon what I need.
The final, big thing I learned at the daycare was
the color wheel, as it applies to oil paints. While painting one of the purple
flowers, I of course started with white and added a little bit of blue and a
little bit of red to it. It looked a little dull and dark in my bowl but I
thought it was a lavender color. When I went to apply it to the wall…it was
gray! Not a purplish-gray; just gray! I was very surprised and confused so I
googled it and it turns out, the primary colors, particularly when dealing with
oil paints, are yellow, cyan, and magenta, not red, yellow, and blue. Rustoleum
does not make cyan or magenta, so, I ended up having to get the small, artsy
tubes of those colors in order to make purple.
Fairy
Mural
Size:
8’6” x 7’4”
Time:
87 hours
Medium:
oil-based paint
(click on “Read More”)
Mimi, along with wanting unicorns in the garden,
also wanted fairies everywhere. She mentioned having them hiding amidst flowers
and bushes and stuff and for people to progressively notice them as they looked
around. I took inspiration for this mural from the tapestry “Unicorn in
Captivity” with the unicorn in the middle and a field of flowers all around and
behind it. I wanted to give the unicorn a more willowy look right from the
start, since that is more what I think of as a unicorn. Not just a regular
horse with a horn on top but a more ethereal creature, a combination of horse
and deer. While looking up pictures of skinny unicorn designs, I came upon a
lot of them that were babies, so, decided to add a baby to the picture. When
looking up flowers, since the wall was blue, I wanted to put pink flowers
around the unicorns, which were going to be white. I wanted to show a variety
of flowers because this is a garden, after all, so, that’s why they’re all
different.
I used the Last Unicorn screencaps as inspiration
for the mother unicorn. The Last Unicorn was too skinny for me, so, I did make
the legs and knees a bit thicker. I also lengthened her nose to make her more
horse-like but also made the ears bigger like a deer. When deciding upon the
colors, I knew I wanted to go with a traditional white for the bodies but I
didn’t want to make the shadows blue, afraid that the light blue shadows would
make them disappear against the background. And once I had decided a warmer
color for the shadows, I thought I’d make the horn, hooves, and hair more
metallic, like gold and silver colors. The hair was accidental because when I
first looked up references for hair that looked like metal, I couldn’t find
anything that I was happy with. So, I found a regular, warm blonde dye job, and
went with that. When I went to paint it, from the light, almost yellow-white, I
accidentally skipped several colors in between by dribbling too much brown and
yellow into it. So, it came out darker right against the lighter areas. …but
that’s how gold shines. So, I did originally want gold, switched to blonde,
then ended up accidentally making it look more like gold, lol.
For the design of the baby unicorn, I really
wanted something more cutesy and deer-like rather than horse like, to really
exaggerate how he’s still really young. Some of my favorite things to paint for
these guys were the bodies, which, are about 3 layers of white gloss enamel
oil-based Rust-Oleum, straight from the can. When you lay your hand over their
bodies, they are cool and smooth to the touch. I also really loved painting the
horns and getting that silver metal effect for them.
When doing the fairies, I used pictures I found
online as reference, from old storybooks and figurine sets. I tried to get a
good amount of boys and girls, so, that it wasn’t just a “girl’s wall” but a
general children’s wall. I also put in two black children fairies to represent
the demographics of this area. Susquehanna is mostly white but I knew there
were a couple of kids who weren’t and might be going to the daycare. So, I
wanted to give them a part of the mural that they could identify with. Everyone
has fun at Mimi’s Magic Garden!













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